A Times Political Book of the Year 2022 A powerful and revelatory eyewitness account of the American collapse in Afghanistan, its desperate endgame, and the war’s echoing legacy. Elliot Ackerman left the American military ten years ago, but his time in Afghanistan and Iraq with the Marines and, later, as a CIA paramilitary officer marked him indelibly. When the Taliban began to close in on Kabul in August of 2021 and the Afghan regime began its death spiral, he found himself pulled back into the conflict. The official evacuation process was a bureaucratic failure that led to a humanitarian catastrophe. Ackerman was drawn into an impromptu effort to arrange flights and negotiate with both Taliban and American forces to secure the safe evacuation of hundreds. These were desperate measures taken during a desperate end to America’s longest war, but the success they achieved afforded a degree of redemption: and, for Ackerman, a chance to reconcile his past with his present. The Fifth Act is an astonishing human document that brings the weight of twenty years of war to bear on a single week at its bitter end. Using the dramatic rescue efforts in Kabul as his lattice, Ackerman weaves in a personal history of the war's long progress, beginning with the initial invasion in the months after 9/11. It is a play in five acts with a tragic denouement. Any reader who wants to understand what went wrong with the war’s trajectory will find a trenchant accounting here. And yet The Fifth Act is not an exercise in finger-pointing: it brings readers into close contact with a remarkable group of characters, who fought the war with courage and dedication, in good faith and at great personal cost. Understanding combatants’ experiences and sacrifices demands reservoirs of wisdom and the gifts of an extraordinary storyteller. In Elliot Ackerman, this story has found that author.The Fifth Act is a first draft of history that feels like a timeless classic.

A Times Political Book of the Year 2022 A powerful and revelatory eyewitness account of the American collapse in Afghanistan, its desperate endgame, and the war's echoing legacy. Elliot Ackerman left the American military ten years ago, but his time in Afghanistan and Iraq with the Marines and, later, as a CIA paramilitary officer marked him indelibly. When the Taliban began to close in on Kabul in August of 2021 and the Afghan regime began its death spiral, he found himself pulled back into the conflict. The official evacuation process was a bureaucratic failure that led to a humanitarian catastrophe. Ackerman was drawn into an impromptu effort to arrange flights and negotiate with both Taliban and American forces to secure the safe evacuation of hundreds. These were desperate measures taken during a desperate end to America's longest war, but the success they achieved afforded a degree of redemption: and, for Ackerman, a chance to reconcile his past with his present. The Fifth Act is an astonishing human document that brings the weight of twenty years of war to bear on a single week at its bitter end. Using the dramatic rescue efforts in Kabul as his lattice, Ackerman weaves in a personal history of the war's long progress, beginning with the initial invasion in the months after 9/11. It is a play in five acts with a tragic denouement. Any reader who wants to understand what went wrong with the war's trajectory will find a trenchant accounting here. And yet The Fifth Act is not an exercise in finger-pointing: it brings readers into close contact with a remarkable group of characters, who fought the war with courage and dedication, in good faith and at great personal cost. Understanding combatants' experiences and sacrifices demands reservoirs of wisdom and the gifts of an extraordinary storyteller. In Elliot Ackerman, this story has found that author.The Fifth Act is a first draft of history that feels like a timeless classic.

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" Liberties - A Journal of Culture and Politics features new essays and poetry from some of the world's best writers and artists to inspire and impact the intellectual and creative lifeblood of our current culture and today's politics. This summer issue of Liberties includes: Elliot Ackerman on Veterans Are Not Victims; Durs Grunbein on Fascism and the Writer; R.B. Kitaj's Three Tales; Thomas Chatterton Williams on The Blessings of Assimilation; Anita Shapira on The Fall of Israel's House of Labor; Sally Satel on Woke Medicine; Matthew Stephenson On Corruption's Honey and Poison; Helen Vender on Wallace Stevens; David Haziza on Illusions of Immunity; Paul Berman on the Library of America; Clara Collier's nostalgia for strong women in film; Michael Kimmage on American Inquisitions; Leon Wieseltier (editor) on the high price of Stoicism; Celeste Marcus (managing editor) on a Native American Tragedy; and new poetry from Adam Zagajewski, A.E. Stallings, and Peg Boyers.

“A Meteor of Intelligent Substance� “Something was Missing in our Culture, and Here It Is� "Liberties is THE place to be.�   Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers  throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today’s culture and politics. In this edition of Liberties: Oksana Forostyna’s A Diary from Lviv; Robert Kagan argues All Wars are Wars of Choice; Justin E. H. Smith grapples with The Gamification of Reality; James Wolcott questions The Poetry of Rock; Pascal Bruckner sees The Oblomovization of the West; William Deresiewicz on higher education’s Schools for Souls; Jaroslaw Anders writes An Open Letter to an Enemy in My Native Land; Elliot Ackerman reveals The Politicization of the American Military; Jonathan Baskin on Sheila Heti and the Fight for Art; A Conversation About Modern History between Isaiah Berlin and Adam Michnik; David Thomson goes back to Chinatown with Roman Polanski and John Huston; Helen Vendler reads John Donne for How to Talk to God; Celeste Marcus on Why Women Mortify Themselves; Leon Wieseltier on Ukraine and Us; and, poetry from Valzhyna Mort, Daryna Gladun, Lesyk Panasiuk, Uri Tzvi Greenberg, Henri Cole, Claire Malroux, La Fontaine, and Devin Johnston.

One of NPR's Best Books of 2019 "Lyrical . . . A thoughtful perspective on America's role overseas." -Washington Post From a decorated Marine war veteran and National Book Award finalist, an astonishing reckoning with the nature of combat and the human cost of the wars in Iraq, Afghanistan, and Syria. "War hath determined us." -John Milton, Paradise Lost Toward the beginning of Places and Names, Elliot Ackerman sits in a refugee camp in southern Turkey, across the table from a man named Abu Hassar, who fought for al-Qaeda in Iraq and whose connections to the Islamic State are murky. At first, Ackerman pretends to have been a journalist during the Iraq War, but after establishing a rapport with Abu Hassar, he takes a risk by revealing to him that in fact he was a Marine special operation officer. Ackerman then draws the shape of the Euphrates River on a large piece of paper, and his one-time adversary quickly joins him in the game of filling in the map with the names and dates of places where they saw fighting during the war. They had shadowed each other for some time, it turned out, a realization that brought them to a strange kind of intimacy. The rest of Elliot Ackerman's extraordinary memoir is in a way an answer to the question of why he came to that refugee camp, and what he hoped to find there. By moving back and forth between his recent experiences on the ground as a journalist in Syria and its environs and his deeper past in Iraq and Afghanistan, he creates a work of remarkable atmospheric pressurization. Ackerman shares vivid and powerful stories of his own experiences in combat, culminating in the events of the Second Battle of Fallujah, the most intense urban combat for the Marines since Hue in Vietnam, where Ackerman's actions leading a rifle platoon saw him awarded the Silver Star. He weaves these stories into the latticework of a masterful larger reckoning with contemporary geopolitics through his vantage as a journalist in Istanbul and with the human extremes of both bravery and horror. At once an intensely personal story about the terrible lure of combat and a brilliant meditation on the larger meaning of the past two decades of strife for America, the region, and the world, Places and Names bids fair to take its place among our greatest books about modern war.

SHORTLISTED FOR THE BRITISH ARMY MILITARY BOOK OF THE YEAR AWARD 2020 'A superb, unique, and unforgettable story of war and death, fear and cruelty, above all the horrors and allure of combat' Simon Sebag Montefiore 'One of the most profound books I have ever read about the real nature of war and the abstract allure of the ideas and the bloodshed that fuels it' Jon Lee Anderson, author of The Fall of Baghdad An astonishing account of the nature of war from acclaimed novelist and decorated former US marine Elliot Ackerman In a refugee camp in southern Turkey, Elliot Ackerman sits across the table from Abu Hassar, who fought for Al Qaeda in Iraq and has murky connections to the Islamic State. At first, Ackerman pretends to have been a journalist during the Iraq War, but after he establishes a rapport with Abu Hassar, he reveals that in fact he was a Marine. The two men then compare their fighting experiences in the Middle East, discovering they had shadowed each other for some time: a realisation that brings them to a strange kind of intimacy. Elliot Ackerman's extraordinary memoir explores the events that led him to come to this refugee camp and what, unable to forget his time in battle, he hoped to find there. Moving between his recent time on the ground as a journalist in Syria and his Marine deployments in Iraq and Afghanistan, he creates a work of astonishing atmospheric pressure, one which blends the American experience with the perspectives and stories of the Arab world, and draws a line between them. At once an intensely personal book about the terrible lure of combat and a brilliant meditation on the meaning of the past two decades of strife for the region and the world, Places and Names bids to take its place among our greatest books about modern war.

A gripping, morally complex debut novel, an astonishing feat of empathy and imagination about boys caught in a deadly conflict.